You can download them as many times as you like. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Here we take a look back at the history of a truly British institution. The musicians of Northern Europe have always brought their personal Arctic twist to all genres of music, and the world of electronic music is no exception.
Between and , the Godfather turned soul into funk. Flanked by the grooviest musicians of the day, James Brown orchestrated a soundtrack to changes in American society.
And everyone jumped aboard the Sex Machine! Categories: All Back. See entire Jazz catalogue. See entire Classical catologue. See the entire Electronic catalogue. See the entire Country catalogue. See the entire Metal catalogue. See the entire Blues catalogue.
See the entire latin catalogue. See entire Soundtrack catalogue. See entire library of World music. Instant MP3 download with all Vinyl purchases. Sunder finds Nathan Fake continue his journey - under and in - towards the realms of the darkside sound axis where distorted techno and industrial-influenced noise sit comfortably side by side.
In what many of us predicated following recent movements away from his earlier work making more downtempo electronica, a move that begins with a collaboration with Prurient and continues most strongly here, Nathan Fake's slow assertion towards claustrophobic techno hits its peak stride.
As techno naturally calls for night, Sunder shows us a much more moody side to Nathan Fake than we have previously encountered, these five tracks taking everything in from angry Echospace expansions such as Arcaibh, to clapped out rave time tankers, Serotonin Drops a track that does well sounding as exhausted as the 6 am dancers it's set to soundtrack - meant as a positive note.
Even the EP's most uplifting track Lea, with its Lorenzo Senni style arpeggio stabs sounds like it's had one too many heavy weekends queuing up and losing its mind inside the cavernous spaces of a rather infamous hub for this style of greyscale techno. While it's still a Nathan Fake record no doubt, and it is sure to satisfy fans of old, Sunder really feels like the boldest move forward from Fake for a long time.
Skip to content. That's not necessarily a bad thing, but he shares a similar interest in chopping up microsamples and building them into near-trance epics. At least sometimes, because almost every track on the lovingly titled 'Boy Love Girl EP' is totally different.
There's a shared sentiment but bar that they range from hiccupping house to bombastic indie-tronica. Apparently, or at least according to the press release there's some 'nu-gaze' on here too but I'm yet to find it.
What I found was a well rounded selection of well meaning electronic love songs, with a dancefloor edge. Lord of the Hard Islands Nathan Fake naturally takes on headline duties in Room 1, bringing the unstoppable industrial assault of his laptop live show in all of its intense, visual glory.
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